{"id":3176,"date":"2026-05-05T07:25:48","date_gmt":"2026-05-05T07:25:48","guid":{"rendered":"https:\/\/www.fondazioneopificio.it\/?post_type=corso&#038;p=3176"},"modified":"2026-06-18T10:22:13","modified_gmt":"2026-06-18T10:22:13","slug":"talking-about-photograhy","status":"publish","type":"corso","link":"https:\/\/www.fondazioneopificio.it\/en\/corso\/talking-about-photograhy\/","title":{"rendered":"Talking about photograhy: Preservation or display strategy? Studies on reprinting photographic artworks by living artists"},"content":{"rendered":"<style>.kb-row-layout-id3176_db5730-07 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id3176_db5730-07 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id3176_db5730-07 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-lg, 4rem);row-gap:var(--global-kb-gap-md, 2rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id3176_db5730-07 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id3176_db5730-07 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id3176_db5730-07 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id3176_db5730-07 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column3176_37dc53-94 > .kt-inside-inner-col,.kadence-column3176_37dc53-94 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column3176_37dc53-94 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column3176_37dc53-94 > .kt-inside-inner-col{flex-direction:column;}.kadence-column3176_37dc53-94 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column3176_37dc53-94 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column3176_37dc53-94{position:relative;}@media all and (max-width: 1024px){.kadence-column3176_37dc53-94 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column3176_37dc53-94 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column3176_37dc53-94\"><div class=\"kt-inside-inner-col\">\n<h5 class=\"wp-block-heading\"><strong>Course description<\/strong><\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">The course proposes a theoretical reflection on the transformations that contemporary photography introduces into the fields of conservation and museology, particularly in relation to the reproducibility of photographic images and the increasing diffusion of artworks offered by artists in digital format. While photography has always been characterized by a tension between uniqueness and multiplicity, more recent artistic practices\u2014where institutions acquire digital files and the right to produce prints for exhibition\u2014challenge long-established notions such as material authenticity, originality of the artwork, and the stability of the conserved object.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Starting from these premises, the course aims to explore the theoretical and practical implications of these changes for conservators, curators, and museum institutions through the discussion of case studies and moments of collective debate. In many cases, the deterioration of photographic prints or the disappearance of specific technologies and materials makes reproduction one of the few possible strategies to ensure the continued accessibility of the artwork within the museum context. At the same time, the progressive obsolescence of photographic technologies\u2014both analog and digital\u2014poses new challenges for conservation and for the possibility of recreating the original technical conditions of production over time.<\/p>\n<\/div><\/div>\n\n<\/div><\/div>\n\n<style>.kb-row-layout-id3176_3d3740-c3 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id3176_3d3740-c3 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id3176_3d3740-c3 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-bottom:var(--global-kb-spacing-xxs, 0.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id3176_3d3740-c3 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id3176_3d3740-c3 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id3176_3d3740-c3 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id3176_3d3740-c3 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column3176_6f6866-7d > .kt-inside-inner-col,.kadence-column3176_6f6866-7d > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column3176_6f6866-7d > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column3176_6f6866-7d > .kt-inside-inner-col{flex-direction:column;}.kadence-column3176_6f6866-7d > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column3176_6f6866-7d > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column3176_6f6866-7d{position:relative;}@media all and (max-width: 1024px){.kadence-column3176_6f6866-7d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column3176_6f6866-7d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column3176_6f6866-7d\"><div class=\"kt-inside-inner-col\">\n<h5 class=\"wp-block-heading\"><strong><strong><strong>Programme<\/strong><\/strong><\/strong><\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Lecturers will address the same topics, but based on case studies specific to their museums, dialogue with participants will be encouraged by the course coordinator.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1\u00b0 2-hour module by Roberta Piantavigna<\/li>\n\n\n\n<li>2\u00b0 2-hour module by Marta Garcia Celma<\/li>\n\n\n\n<li>3\u00b0 2-hour module by Monica Marchesi<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Moderator: Barbara Cattaneo<\/p>\n<\/div><\/div>\n\n<\/div><\/div>\n\n<style>.kb-row-layout-id3176_8b30de-89 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id3176_8b30de-89 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id3176_8b30de-89 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id3176_8b30de-89 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id3176_8b30de-89 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id3176_8b30de-89 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id3176_8b30de-89 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column3176_98f87b-9e > .kt-inside-inner-col,.kadence-column3176_98f87b-9e > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column3176_98f87b-9e > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column3176_98f87b-9e > .kt-inside-inner-col{flex-direction:column;}.kadence-column3176_98f87b-9e > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column3176_98f87b-9e > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column3176_98f87b-9e{position:relative;}@media all and (max-width: 1024px){.kadence-column3176_98f87b-9e > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column3176_98f87b-9e > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column3176_98f87b-9e\"><div class=\"kt-inside-inner-col\">\n<h5 class=\"wp-block-heading has-text-align-left\"><strong><strong>Target audience<\/strong><\/strong><\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">The course is designed for specialists and professionals in the field (conservators, curators, registrars, digitization experts, and cultural heritage professionals) and for anyone wishing to update their skills and knowledge in the context of contemporary photography preservation and conservation.<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-left\"><strong><strong><strong>Further information<\/strong><\/strong><\/strong><\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">The course will be held if and when the minimum number of participants will be reached. An attendance certificate will be issued.<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-left\"><strong>Lecturers<\/strong><\/h5>\n\n\n<style>.kb-posts-id-3176_c8a8af-1a .kb-post-list-item{display:grid;}<\/style><ul class=\"wp-block-kadence-posts kb-posts kadence-posts-list kb-posts-id-3176_c8a8af-1a content-wrap grid-cols kb-posts-style-unboxed grid-sm-col-2 grid-lg-col-4 item-image-style-above bianconero\"><li class=\"kb-post-list-item\">\n\t<article class=\"entry content-bg loop-entry post-3208 docente type-docente status-publish has-post-thumbnail hentry argomento-talking-about-photograhy-preservation-or-display-strategy-studies-on-reprinting-photographic-artworks-by-living-artists\">\n\t\t\t\t<a aria-hidden=\"true\" tabindex=\"-1\" role=\"presentation\" class=\"post-thumbnail kadence-thumbnail-ratio-1-1\" href=\"https:\/\/www.fondazioneopificio.it\/en\/docente\/marta-garcia-celma\/\" aria-label=\"Marta Garcia Celma\">\n\t\t\t<div class=\"post-thumbnail-inner\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"285\" height=\"283\" src=\"https:\/\/www.fondazioneopificio.it\/wp-content\/uploads\/2026\/05\/marta_garcia_celma.png\" class=\"attachment-large size-large wp-post-image\" alt=\"Marta Garcia Celma\" srcset=\"https:\/\/www.fondazioneopificio.it\/wp-content\/uploads\/2026\/05\/marta_garcia_celma.png 285w, https:\/\/www.fondazioneopificio.it\/wp-content\/uploads\/2026\/05\/marta_garcia_celma-150x150.png 150w\" sizes=\"auto, (max-width: 285px) 100vw, 285px\" \/>\t\t\t<\/div>\n\t\t<\/a><!-- .post-thumbnail -->\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h6 class=\"entry-title\"><a href=\"https:\/\/www.fondazioneopificio.it\/en\/docente\/marta-garcia-celma\/\" rel=\"bookmark\">Marta Garcia Celma<\/a><\/h6><\/header><!-- .entry-header -->\n<footer class=\"entry-footer\">\n\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry content-bg loop-entry post-3200 docente type-docente status-publish has-post-thumbnail hentry argomento-talking-about-photograhy-preservation-or-display-strategy-studies-on-reprinting-photographic-artworks-by-living-artists\">\n\t\t\t\t<a aria-hidden=\"true\" tabindex=\"-1\" role=\"presentation\" class=\"post-thumbnail kadence-thumbnail-ratio-1-1\" href=\"https:\/\/www.fondazioneopificio.it\/en\/docente\/monica-marchesi\/\" aria-label=\"Monica Marchesi\">\n\t\t\t<div class=\"post-thumbnail-inner\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"224\" height=\"283\" src=\"https:\/\/www.fondazioneopificio.it\/wp-content\/uploads\/2026\/05\/monica-marchesi.png\" class=\"attachment-large size-large wp-post-image\" alt=\"Monica Marchesi\" \/>\t\t\t<\/div>\n\t\t<\/a><!-- .post-thumbnail -->\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h6 class=\"entry-title\"><a href=\"https:\/\/www.fondazioneopificio.it\/en\/docente\/monica-marchesi\/\" rel=\"bookmark\">Monica Marchesi<\/a><\/h6><\/header><!-- .entry-header -->\n<footer class=\"entry-footer\">\n\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry content-bg loop-entry post-3186 docente type-docente status-publish has-post-thumbnail hentry argomento-talking-about-photograhy-preservation-or-display-strategy-studies-on-reprinting-photographic-artworks-by-living-artists argomento-6-talking-about-photography-large-format-color-photography\">\n\t\t\t\t<a aria-hidden=\"true\" tabindex=\"-1\" role=\"presentation\" class=\"post-thumbnail kadence-thumbnail-ratio-1-1\" href=\"https:\/\/www.fondazioneopificio.it\/en\/docente\/roberta-piantavigna\/\" aria-label=\"Roberta Piantavigna\">\n\t\t\t<div class=\"post-thumbnail-inner\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"289\" height=\"289\" src=\"https:\/\/www.fondazioneopificio.it\/wp-content\/uploads\/2026\/05\/roberta_piantavigna.png\" class=\"attachment-large size-large wp-post-image\" alt=\"Roberta Piantavigna\" srcset=\"https:\/\/www.fondazioneopificio.it\/wp-content\/uploads\/2026\/05\/roberta_piantavigna.png 289w, https:\/\/www.fondazioneopificio.it\/wp-content\/uploads\/2026\/05\/roberta_piantavigna-150x150.png 150w\" sizes=\"auto, (max-width: 289px) 100vw, 289px\" \/>\t\t\t<\/div>\n\t\t<\/a><!-- .post-thumbnail -->\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h6 class=\"entry-title\"><a href=\"https:\/\/www.fondazioneopificio.it\/en\/docente\/roberta-piantavigna\/\" rel=\"bookmark\">Roberta Piantavigna<\/a><\/h6><\/header><!-- .entry-header -->\n<footer class=\"entry-footer\">\n\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry content-bg loop-entry post-2951 docente type-docente status-publish has-post-thumbnail hentry argomento-1-managing-emergencies-archival-library-photographic-and-multimedia-materials-practical-exercises argomento-talking-about-photograhy-preservation-or-display-strategy-studies-on-reprinting-photographic-artworks-by-living-artists argomento-3-talking-about-photography-the-use-of-gels-in-photographic-restoration\">\n\t\t\t\t<a aria-hidden=\"true\" tabindex=\"-1\" role=\"presentation\" class=\"post-thumbnail kadence-thumbnail-ratio-1-1\" href=\"https:\/\/www.fondazioneopificio.it\/en\/docente\/barbara-cattaneo\/\" aria-label=\"Barbara Cattaneo\">\n\t\t\t<div class=\"post-thumbnail-inner\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"326\" height=\"326\" src=\"https:\/\/www.fondazioneopificio.it\/wp-content\/uploads\/2025\/03\/barbara-cattaneo.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"Barbara Cattaneo\" srcset=\"https:\/\/www.fondazioneopificio.it\/wp-content\/uploads\/2025\/03\/barbara-cattaneo.jpg 326w, https:\/\/www.fondazioneopificio.it\/wp-content\/uploads\/2025\/03\/barbara-cattaneo-300x300.jpg 300w, https:\/\/www.fondazioneopificio.it\/wp-content\/uploads\/2025\/03\/barbara-cattaneo-150x150.jpg 150w\" sizes=\"auto, (max-width: 326px) 100vw, 326px\" \/>\t\t\t<\/div>\n\t\t<\/a><!-- .post-thumbnail -->\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h6 class=\"entry-title\"><a href=\"https:\/\/www.fondazioneopificio.it\/en\/docente\/barbara-cattaneo\/\" rel=\"bookmark\">Barbara Cattaneo<\/a><\/h6><\/header><!-- .entry-header -->\n<footer class=\"entry-footer\">\n\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<\/ul><\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Course description The course proposes a theoretical reflection on the transformations that contemporary photography introduces into the fields of conservation and museology, particularly in relation to the reproducibility of photographic [&hellip;]<\/p>\n","protected":false},"featured_media":3158,"menu_order":0,"template":"single-corsi-eng.php","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"primo-piano":[],"stato-corso":[35],"tipologia":[32],"class_list":["post-3176","corso","type-corso","status-publish","has-post-thumbnail","hentry","stato-corso-iscrizioni-aperte","tipologia-theoretical-practical-course"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Talking about photograhy: Preservation or display strategy? Studies on reprinting photographic artworks by living artists - Fondazione Opificio ETS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fondazioneopificio.it\/en\/corso\/talking-about-photograhy\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Talking about photograhy: Preservation or display strategy? 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